PIENO BLU
Anthropométries, Yves Klein
PIENO BLU capsule collection is conceived as a space left by the body: a sensual cavity, a memory of the gesture.
Jean Pujol, with Rue Intérieure NumberTwo, teaches us that an object can hold absence. His chair, bare and structural, cradles a body that is no longer there, yet its form remains, suspended.
Robert Rauschenberg and Susan Weil, with Untitled (Double Rauschenberg), use photosensitive paper not to capture an image, but to preserve the instantaneous presence of a moment. It is a way of archiving the ephemeral.
Yves Klein, ultimately, is the spark. His Anthropométries are not merely bodies painting, but the very act of painting as a performance.
COLOURS AND MATERIALS
STUDIO
Passo
Salto
Attesa
Caduta
Walking becomes performance
The shoe becomes a document of action. The shoes collect that gesture and translate it into form.
They are four variations on a moving body, four imprints that do not ask permission to remain.
